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              <text>Working transcription: There is a story related, I think, by Cole which always struck me to be one of the best of ghost stories. Thus the story runs: once upon a time there was a German student extremely popular with his companions and quite the life of his university. No one fenced better, sang better, danced better, did anything better than he. Suddenly it was noticed that his whole appearance changed. He became melancholy, silent, worn and dejected. After a time, one of the student body who had always been his intimate friend was deputed to speak to him on the subject of this strange alteration in him. It was very difficult to induce him to open his lips but after a long time and much pressing, he said, “Know then, I am every night pursued by a phantom. When the city clock(s) strike/struck 12 it emerges from the closet in my room opposite the foot of the bed and stands there until morning.” In reply to the question how this spectre was dressed, he said in green, with a high-crowned green hat. The student returned to his companions and they arranged among themselves that one of their number should be thus dressed and should be</text>
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                  <text>Courtesy of the Free Library of Philadelphia. Please seek further permission from the Free Library to reuse these images.</text>
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              <text>Working transcription: concealed in the place in question. After appearing and being supposed by the afflicted student to be the ghost, he would then reveal himself and so work his cure. Under this guise, on a certain night, the student was hidden in the ghost’s place with instructions to come forth when the city clocks struck 12. As the hour approached, he saw from his concealment that the sleeping student became frightfully agitated. When it struck and the other emerged, he raised himself in/on his bed with a distorted face, marked/wracked with every possible expression of horror, cried out in agony "My God, there are two", fell back and died.</text>
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                <text>Courtesy of the Free Library of Philadelphia. Please seek further permission from the Free Library to reuse this image.</text>
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              <text>Working transcription: Although the forms of religious belief in the world are almost innumerable it is probable that their grounds and foundations are very few. One constantly recognises the same idea reappearing under diverse terms from the time of the old heathen mythology even to the present day. This is always observable in the superstitions of mankind. It is, or it would seem to be, so extremely difficult to separate the old notions altogether from new. […] artful taking advantage of the ignorance of the […] this tendency in mankind. Thus no one can visit Rome, the headquarters of all degrading superstition and fail to see incorporated into the pure[ity and] beauty of Christianity the […] pagan ceremonies of ages ago. Just as many of the Christian churches in Rome are built upon ruins of the old temples, so many of the practices retained in them and made articles of religious faith ought to have perished and forever vanished from sight in the light of the Christian dispensation, but still encumber them, the mere dust and ashes of a rotten and dead […].</text>
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                    <text>Seven lines of Brachygraphy shorthand characters written in pencil fill the top half of a notebook page. A horizontal line, running from left to right, follows, underneath which are nine lines of Brachygraphy shorthand characters. The figure 10000£ is written as a figure amongst the other characters. The shorthand on the top half of the page is the third part of 'Sydney Smith' version B. The shorthand on the bottom half of the page is part of an untitled exercise about hereditary privilege. In the top right the number five indicates the page number.</text>
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              <text>N.B. The top half of the page is the final part of the 'Sydney Smith' exercise.&#13;
Working transcript of 'Hereditary Privilege':  All privileges, but particularly hereditary privileges, have been established for the benefit of some individual and it may be safely taken for granted as a proposition, not without good grounds, that whenever an individual is so advantaged, the world in general suffers. The object of all such institutions is to confer something on somebody at the public cost and whether that something be an estate or an easement or a pittance writ or 10,000 pounds or above that high mark or below it or between all these extremes or within any of them</text>
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                <text>The bottom half of the page features the first part of a critique of hereditary privilege, written in shorthand. The top half features the third and final part of 'Sydney Smith' version B.</text>
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                    <text>Sixteen lines of Brachygraphy shorthand characters written in pencil fill the page of a notebook. At the top is a longhand title, which reads 'Sunday Night Fifth February 1860', with the word 'Fifth' partially crossed through. In the top right corner is the number one, indicating a page number. In the middle of the page, a vertical line runs from top to bottom. The symbols are not arranged in relation to this line, perhaps suggesting that it was added later. </text>
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              <text>Working transcription: All the objects which are exhibited to our view by Nature, says Reynolds, [on/upon] close examination will be found to have their blemishes and defects. The most beautiful forms have something about them like weakness, minuteness or imperfection. But it is not every eye that perceives these blemishes. It must be an eye long used to the contemplation and comparison of these forms and which, by a long habit of observing what every set of objects of the same kind have in common, has acquired the power of discerning what each wants in particular. This long, laborious comparison should be the first study of the painter who aims at the greatest style. By this means he acquires a just idea of the beautiful forms. He corrects Nature by herself, her imperfect state by her more perfect. His eye being enabled to distinguish the accidental deficiencies, excrescences and deformities of things from their general figures, he makes out an abstract idea of their forms more perfect than any one original</text>
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                <text>Brachygraphy shorthand</text>
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